The complete recordings of Robert Johnson ranks as the most essential of all blues cds because it contains the greatest blues ever recorded. Without question Robert Johnson has been the most fascinating and revered artist in the music’s hundred year history. He isn’t just “King of the Delta Blues Singers” the title of the early sixties LPs on which these songs were first reissued. Johnson’s music was originally released as 78′s in the late 1930′s. Robert Johnson is King of the Blues Period.
 
When American music historians converse. Johnson’s name will be mentioned in the same sentence as the names Louis Armstrong, Jimmie Rodgers, Duke Ellington, Charlie Parker, Woody Guthrie, Hanks Williams, Elvis Presley, Bob Dylan, and twentieth-century music masters whose work has helped define the scope and breadth of these giants ultimately leads to a better understanding of the American music tradition. A good place to start is with Robert Johnson.
  Read the rest of this entry »

By Bruce Lamb

www.TheGuitarWorkshop.com

I have had the amazing pleasure of taking guitar lessons on finger style guitar blues and ragtime, lap style and Slide Guitar lessons from one of the best teachers out there and her name is Mary Flower. I have also had the pleasure of producing three DVD’s for her in their different styles of guitar mastery.

I first met Mary Flower at the guitar seminars work shop that was run by two other astounding guitar player Woody Mann, and Bob Brozman and I also want to mention Trevor Lawrence who pretty much ran the back end of the workshop and is also a great player.

The three DVD’s I produced for Mary teach three different styles of blues guitar. The first one in on playing blues guitar in the Key of E. The second DVD is playing Ragtime Style of Blues guitar. The third DVD is playing guitar in Dropped D Tuning.

Many blues guitarists feel that the key at E is both the most accessible and expressive key for deep blues sounds. Blues in E is a sound as old as the blues themselves. In this video, Mary shows you how to reach deep into the blues bag by teaching the licks and tricks that have kept this genre interesting and fun.

Going beyond mere role demonstration, she also explores the 12-bar blues structure and offers tips on creating your own arrangements. Starting with the Delta style where the thumb pounds out ifs steady, compelling bass, Mary shows you how to add single notes, up-the-neck bends, moveable chords, and powerful boogie-woogie patterns. Then she walks you through a plethora of blues turnarounds, the figures that add color and spice o your arrangements when you use them as fills between vocal lines.

Read the rest of this entry »

By Bruce Lamb

www.TheGuitarWorkShop.com

When you first start or begin to learn how to play the blues it is a very good idea that your first know what type of blues you want to learn to master. There are several types of blues that have been developed in this country. Many regions around the United States have their own style of blues guitar playing. There is Chicago Style of Blues, there is Texas Style of Blues, The Delta Style, also New Orleans Style of Blues Guitar, and the Piedmont Style of Blues that comes for the mid east coast up to Delaware style.

A very first and most important thing in my opinion is knowing what a progression is. The blues is comprised of a kind of pattern or order of notes that are played. This is the blues progression patterns. The blues progression is a one, four, five progression (1-4-5-). I’ll try to describe what this means so pay close attention. There are seven major notes in playing music. These notes are A, B, C, D, E, F, and G. Now here is where it gets kind of tricky. If some one says they are going to play the blues in the key of A, this simply means that the A is the (One Chord) or the very first chord in the song. The next chord to be played in the song would be the ( Four Chord) or the second chord that would be played. And then the next chord is the (Five Chord) this is the 1 4 5 progression.

Looking at the 7 major chords A, B, C, D, E, F, G, start counting from the left you will notice the first chord is the A chord the fourth chord is the D chord and the fifth chord is the E chord. Now lets look at a song in the key of E. Can you figure out what the progression is? Read the rest of this entry »

By Bruce Lamb

www.TheGuitarWorkShop.com

One of the first chords a new guitar player will have difficulty with is the Fm7 or F major 7th. To play this chord your fingers will get a work out but it is a chord you must learn so I would not put it off. Start off with this chord because it will help your guitar playing and you will learn and progress much faster if your hands are in playing shape.

There is definitely some stretching going on when you play this cord. This is an important lesson particularly for beginners because you will soon see that the stretching that your fingers will go through will help you with all of the other difficult chords you will learn.

I should first start off by explaining how the strings are numbered. As you hold your guitar the smallest string is the first string. Then each string is numbered 2nd, third, fourth, the fifth and then the sixth string is the top string or the thickest and bass string.

The Fm7th chord starts off with your third finger on the fourth string just above the third fret. If you don’t know what frets are, they are the little metal bars that go across the neck of your guitar. Now place your second finger on the third string just above the second fret. Now place your first finger on the second string over the first fret. Read the rest of this entry »